Oscars Academy Awards (1960-1969) ------------------------------------ The Academy Awards, commonly known as The Oscars, is an annual American awards ceremony honoring achievements in the film industry. The awards, first presented in 1927, are overseen by the Academy of Motion Picture Arts and Sciences. The awards ceremony was first televised in 1953 and is now seen live in more than 200 countries. ------------------------------------ 1960 (33rd) ACTOR Burt Lancaster -- Elmer Gantry {"Elmer Gantry"} ACTOR IN A SUPPORTING ROLE Peter Ustinov -- Spartacus {"Batiatus"} ACTRESS Elizabeth Taylor -- Butterfield 8 {"Gloria Wandrous"} ACTRESS IN A SUPPORTING ROLE Shirley Jones -- Elmer Gantry {"Lulu Bains"} ART DIRECTION (Black-and-White) The Apartment -- Art Direction: Alexander Trauner; Set Decoration: Edward G. Boyle ART DIRECTION (Color) Spartacus -- Art Direction: Alexander Golitzen, Eric Orbom; Set Decoration: Russell A. Gausman, Julia Heron CINEMATOGRAPHY (Black-and-White) Sons and Lovers -- Freddie Francis CINEMATOGRAPHY (Color) Spartacus -- Russell Metty COSTUME DESIGN (Black-and-White) The Facts of Life -- Edith Head, Edward Stevenson COSTUME DESIGN (Color) Spartacus -- Valles, Bill Thomas DIRECTING The Apartment -- Billy Wilder DOCUMENTARY (Feature) The Horse with the Flying Tail -- Larry Lansburgh, Producer DOCUMENTARY (Short Subject) Giuseppina -- James Hill, Producer FILM EDITING The Apartment -- Daniel Mandell FOREIGN LANGUAGE FILM The Virgin Spring -- Sweden MUSIC (Music Score of a Dramatic or Comedy Picture) Exodus -- Ernest Gold MUSIC (Scoring of a Musical Picture) Song without End (The Story of Franz Liszt) -- Morris Stoloff, Harry Sukman MUSIC (Song) "Never On Sunday" from Never on Sunday -- Music and Lyrics by Manos Hadjidakis BEST MOTION PICTURE The Apartment -- Billy Wilder, Producer SHORT SUBJECT (Cartoon) Munro -- William L. Snyder, Producer SHORT SUBJECT (Live Action) Day of the Painter -- Ezra R. Baker, Producer SOUND The Alamo -- Samuel Goldwyn Studio Sound Department, Gordon E. Sawyer, Sound Director; and Todd-AO Sound Department, Fred Hynes, Sound Director SPECIAL EFFECTS The Time Machine -- Visual Effects by Gene Warren, Tim Baar WRITING (Screenplay--based on material from another medium) Elmer Gantry -- Richard Brooks WRITING (Story and Screenplay--written directly for the screen) The Apartment -- Billy Wilder, I. A. L. Diamond JEAN HERSHOLT HUMANITARIAN AWARD Sol Lesser HONORARY AWARD To Gary Cooper for his many memorable screen performances and the international recognition he, as an individual, has gained for the motion picture industry. To Stan Laurel for his creative pioneering in the field of cinema comedy. To Hayley Mills for Pollyanna, the most outstanding juvenile performance during 1960. SCIENTIFIC OR TECHNICAL AWARD (Class II) To AMPEX PROFESSIONAL PRODUCTS CO. for the production of a well-engineered multi-purpose sound system combining high standards of quality with convenience of control, dependable operation and simplified emergency provisions. [Sound] SCIENTIFIC OR TECHNICAL AWARD (Class III) To ARTHUR HOLCOMB, PETRO VLAHOS and COLUMBIA STUDIO CAMERA DEPARTMENT for a camera flicker indicating device. [Photography] To ANTHONY PAGLIA and the 20TH CENTURY-FOX STUDIO MECHANICAL EFFECTS DEPARTMENT for the design and construction of a miniature flak gun and ammunition. [Stage Operations] To CARL HAUGE, ROBERT GRUBEL and EDWARD REICHARD of Consolidated Film Industries for the development of an automatic developer replenisher system. [Laboratory] ------------------------------------------------------------------------ 1961 (34th) ACTOR Maximilian Schell -- Judgment at Nuremberg {"Hans Rolfe"} ACTOR IN A SUPPORTING ROLE George Chakiris -- West Side Story {"Bernardo"} ACTRESS Sophia Loren -- Two Women {"Cesira"} ACTRESS IN A SUPPORTING ROLE Rita Moreno -- West Side Story {"Anita"} ART DIRECTION (Black-and-White) The Hustler -- Art Direction: Harry Horner; Set Decoration: Gene Callahan ART DIRECTION (Color) West Side Story -- Art Direction: Boris Leven; Set Decoration: Victor A. Gangelin CINEMATOGRAPHY (Black-and-White) The Hustler -- Eugen Shuftan CINEMATOGRAPHY (Color) West Side Story -- Daniel L. Fapp COSTUME DESIGN (Black-and-White) La Dolce Vita -- Piero Gherardi COSTUME DESIGN (Color) West Side Story -- Irene Sharaff DIRECTING West Side Story -- Robert Wise, Jerome Robbins DOCUMENTARY (Feature) Le Ciel et la Boue (Sky Above and Mud Beneath) -- Arthur Cohn and Rene Lafuite, Producers DOCUMENTARY (Short Subject) Project Hope -- Frank P. Bibas, Producer FILM EDITING West Side Story -- Thomas Stanford FOREIGN LANGUAGE FILM Through a Glass Darkly -- Sweden MUSIC (Music Score of a Dramatic or Comedy Picture) Breakfast at Tiffany's -- Henry Mancini MUSIC (Scoring of a Musical Picture) West Side Story -- Saul Chaplin, Johnny Green, Sid Ramin, Irwin Kostal MUSIC (Song) "Moon River" from Breakfast at Tiffany's -- Music by Henry Mancini; Lyrics by Johnny Mercer BEST MOTION PICTURE West Side Story -- Robert Wise, Producer SHORT SUBJECT (Cartoon) Ersatz (The Substitute) -- Zagreb Film SHORT SUBJECT (Live Action) Seawards the Great Ships -- Templar Film Studios SOUND West Side Story -- Todd-AO Sound Department, Fred Hynes, Sound Director; and Samuel Goldwyn Studio Sound Department, Gordon E. Sawyer, Sound Director SPECIAL EFFECTS The Guns of Navarone -- Visual Effects by Bill Warrington; Audible Effects by Vivian C. Greenham WRITING (Screenplay--based on material from another medium) Judgment at Nuremberg -- Abby Mann WRITING (Story and Screenplay--written directly for the screen) Splendor in the Grass -- William Inge JEAN HERSHOLT HUMANITARIAN AWARD George Seaton HONORARY AWARD To William L. Hendricks for his outstanding patriotic service in the conception, writing and production of the Marine Corps film, A Force in Readiness, which has brought honor to the Academy and the motion picture industry. To Fred L. Metzler for his dedication and outstanding service to the Academy of Motion Picture Arts and Sciences. To Jerome Robbins for his brilliant achievements in the art of choreography on film. IRVING G. THALBERG MEMORIAL AWARD Stanley Kramer SCIENTIFIC OR TECHNICAL AWARD (Class II) To SYLVANIA ELECTRIC PRODUCTS, INC., for the development of a hand held high-power photographic lighting unit known as the Sun Gun Professional. [Lighting] To JAMES DALE, S. WILSON, H.E. RICE, JOHN RUDE, LAURIE ATKIN, WADSWORTH E. POHL, H. PEASGOOD and TECHNICOLOR CORP. for a process of automatic selective printing. [Laboratory] To 20TH CENTURY-FOX RESEARCH DEPARTMENT, under the direction of E.I. SPONABLE and HERBERT E. BRAGG, and DELUXE LABORATORIES, INC., with the assistance of F.D. LESLIE, R.D. WHITMORE, A.A. ALDEN, ENDEL POOL and JAMES B. GORDON for a system of decompressing and recomposing CinemaScope pictures for conventional aspect ratios. [Laboratory] SCIENTIFIC OR TECHNICAL AWARD (Class III) To HURLETRON, INC., ELECTRIC EYE EQUIPMENT DIVISION, for an automatic light changing system for motion picture printers. [Laboratory] To WADSWORTH E. POHL and TECHNICOLOR CORP. for an integrated sound and picture transfer process. [Laboratory] ------------------------------------------------------------------------ 1962 (35th) ACTOR Gregory Peck -- To Kill a Mockingbird {"Atticus Finch"} ACTOR IN A SUPPORTING ROLE Ed Begley -- Sweet Bird of Youth {"Tom 'Boss' Finley"} ACTRESS Anne Bancroft -- The Miracle Worker {"Annie Sullivan"} ACTRESS IN A SUPPORTING ROLE Patty Duke -- The Miracle Worker {"Helen Keller"} ART DIRECTION (Black-and-White) To Kill a Mockingbird -- Art Direction: Alexander Golitzen, Henry Bumstead; Set Decoration: Oliver Emert ART DIRECTION (Color) Lawrence of Arabia -- Art Direction: John Box, John Stoll; Set Decoration: Dario Simoni CINEMATOGRAPHY (Black-and-White) The Longest Day -- Jean Bourgoin, Walter Wottitz, (Henri Persin) [NOTE: Originally, the three names of Jean Bourgoin, Henri Persin and Walter Wottitz (as listed on the Official Screen Credits form) were announced as nominees for this film in this category. The credits from the film listed four Directors of Photography (in the following order), Mr. Persin, Mr. Wottitz, Pierre Levent and Mr. Bourgoin. The program for the Awards ceremony and even the official letter from Price Waterhouse with the results of the final voting for the awards listed the three names as winners in this category. At some point, the name of Henri Persin was dropped from the nomination, as his name has been "whited-out" from the official wording for the nomination certificates, and the nominations and winners lists the Academy publishes do not include his name. The Academy's records and files give no reason for this exclusion.] CINEMATOGRAPHY (Color) Lawrence of Arabia -- Fred A. Young COSTUME DESIGN (Black-and-White) What Ever Happened to Baby Jane? -- Norma Koch COSTUME DESIGN (Color) The Wonderful World of the Brothers Grimm -- Mary Wills DIRECTING Lawrence of Arabia -- David Lean DOCUMENTARY (Feature) Black Fox -- Louis Clyde Stoumen, Producer DOCUMENTARY (Short Subject) Dylan Thomas -- Jack Howells, Producer FILM EDITING Lawrence of Arabia -- Anne Coates FOREIGN LANGUAGE FILM Sundays and Cybele -- France MUSIC (Music Score--substantially original) Lawrence of Arabia -- Maurice Jarre MUSIC (Scoring of Music--adaptation or treatment) Meredith Willson's The Music Man -- Ray Heindorf MUSIC (Song) "Days Of Wine And Roses" from Days of Wine and Roses -- Music by Henry Mancini; Lyrics by Johnny Mercer BEST PICTURE Lawrence of Arabia -- Sam Spiegel, Producer SHORT SUBJECT (Cartoon) The Hole -- John Hubley and Faith Hubley, Producers SHORT SUBJECT (Live Action) Heureux Anniversaire (Happy Anniversary) -- Pierre Etaix and J.C. Carrière, Producers SOUND Lawrence of Arabia -- Shepperton Studio Sound Department, John Cox, Sound Director SPECIAL EFFECTS The Longest Day -- Visual Effects by Robert MacDonald; Audible Effects by Jacques Maumont WRITING (Screenplay--based on material from another medium) To Kill a Mockingbird -- Horton Foote WRITING (Story and Screenplay--written directly for the screen) Divorce--Italian Style -- Ennio de Concini, Alfredo Giannetti, Pietro Germi JEAN HERSHOLT HUMANITARIAN AWARD Steve Broidy SCIENTIFIC OR TECHNICAL AWARD (Class II) To RALPH CHAPMAN for the design and development of an advanced motion picture camera crane. [Camera Cranes] To ALBERT S. PRATT, JAMES L. WASSELL and HANS C. WOHLRAB of the Professional Equipment Divison of Bell & Howell Co., for the design and development of a new and improved automatic motion picture additive color printer. [Laboratory] To NORTH AMERICAN PHILIPS CO., INC., for the design and engineering of the Norelco Universal 70/35mm motion picture projector. [Projection] To CHARLES E. SUTTER, WILLIAM BRYSON SMITH and LOUIS C. KENNELL of Paramount Pictures Corp. for the engineering and application to motion picture production of a new system of electric power distribution. [Lighting] SCIENTIFIC OR TECHNICAL AWARD (Class III) To ELECTRO-VOICE, INC., for a highly directional dynamic line microphone. [Sound] To LOUIS G. MacKENZIE for a selective sound effects repeater. [Sound] ------------------------------------------------------------------------ 1963 (36th) ACTOR Sidney Poitier -- Lilies of the Field {"Homer Smith"} ACTOR IN A SUPPORTING ROLE Melvyn Douglas -- Hud {"Homer Bannon"} ACTRESS Patricia Neal -- Hud {"Alma"} ACTRESS IN A SUPPORTING ROLE Margaret Rutherford -- The V.I.P.s {"Duchess of Brighton"} ART DIRECTION (Black-and-White) America America -- Gene Callahan ART DIRECTION (Color) Cleopatra -- Art Direction: John DeCuir, Jack Martin Smith, Hilyard Brown, Herman Blumenthal, Elven Webb, Maurice Pelling, Boris Juraga; Set Decoration: Walter M. Scott, Paul S. Fox, Ray Moyer CINEMATOGRAPHY (Black-and-White) Hud -- James Wong Howe CINEMATOGRAPHY (Color) Cleopatra -- Leon Shamroy COSTUME DESIGN (Black-and-White) Federico Fellini's 8-1/2 -- Piero Gherardi COSTUME DESIGN (Color) Cleopatra -- Irene Sharaff, Vittorio Nino Novarese, Renie DIRECTING Tom Jones -- Tony Richardson DOCUMENTARY (Feature) Robert Frost: A Lover's Quarrel with the World -- Robert Hughes, Producer DOCUMENTARY (Short Subject) Chagall -- Simon Schiffrin, Producer FILM EDITING How the West Was Won -- Harold F. Kress FOREIGN LANGUAGE FILM Federico Fellini's 8-1/2 -- Italy MUSIC (Music Score--substantially original) Tom Jones -- John Addison MUSIC (Scoring of Music--adaptation or treatment) Irma La Douce -- Andre Previn MUSIC (Song) "Call Me Irresponsible" from Papa's Delicate Condition -- Music by James Van Heusen; Lyrics by Sammy Cahn BEST PICTURE Tom Jones -- Tony Richardson, Producer SHORT SUBJECT (Cartoon) The Critic -- Ernest Pintoff, Producer SHORT SUBJECT (Live Action) An Occurrence at Owl Creek Bridge -- Paul de Roubaix and Marcel Ichac, Producers SOUND How the West Was Won -- Metro-Goldwyn-Mayer Studio Sound Department, Franklin E. Milton, Sound Director SOUND EFFECTS It's a Mad, Mad, Mad, Mad World -- Walter G. Elliott SPECIAL EFFECTS Cleopatra -- Emil Kosa, Jr. WRITING (Screenplay--based on material from another medium) Tom Jones -- John Osborne WRITING (Story and Screenplay--written directly for the screen) How the West Was Won -- James R. Webb IRVING G. THALBERG MEMORIAL AWARD Sam Spiegel SCIENTIFIC OR TECHNICAL AWARD (Class III) To DOUGLAS G. SHEARER and A. ARNOLD GILLESPIE of Metro-Goldwyn-Mayer Studios for the engineering of an improved Background Process Projection System. [Special Photographic] ------------------------------------------------------------------------ 1964 (37th) ACTOR Rex Harrison -- My Fair Lady {"Professor Henry Higgins"} ACTOR IN A SUPPORTING ROLE Peter Ustinov -- Topkapi {"Arthur Simpson"} ACTRESS Julie Andrews -- Mary Poppins {"Mary Poppins"} ACTRESS IN A SUPPORTING ROLE Lila Kedrova -- Zorba the Greek {"Madame Hortense"} ART DIRECTION (Black-and-White) Zorba the Greek -- Vassilis Fotopoulos ART DIRECTION (Color) My Fair Lady -- Art Direction: Gene Allen, Cecil Beaton; Set Decoration: George James Hopkins CINEMATOGRAPHY (Black-and-White) Zorba the Greek -- Walter Lassally CINEMATOGRAPHY (Color) My Fair Lady -- Harry Stradling COSTUME DESIGN (Black-and-White) The Night of the Iguana -- Dorothy Jeakins COSTUME DESIGN (Color) My Fair Lady -- Cecil Beaton DIRECTING My Fair Lady -- George Cukor DOCUMENTARY (Feature) Jacques-Yves Cousteau's World without Sun -- Jacques-Yves Cousteau, Producer DOCUMENTARY (Short Subject) Nine from Little Rock -- Charles Guggenheim, Producer FILM EDITING Mary Poppins -- Cotton Warburton FOREIGN LANGUAGE FILM Yesterday, Today and Tomorrow -- Italy MUSIC (Music Score--substantially original) Mary Poppins -- Richard M. Sherman, Robert B. Sherman MUSIC (Scoring of Music--adaptation or treatment) My Fair Lady -- Andre Previn MUSIC (Song) "Chim Chim Cher-ee" from Mary Poppins -- Music and Lyrics by Richard M. Sherman and Robert B. Sherman BEST PICTURE My Fair Lady -- Jack L. Warner, Producer SHORT SUBJECT (Cartoon) The Pink Phink -- David H. DePatie and Friz Freleng, Producers SHORT SUBJECT (Live Action) Casals Conducts: 1964 -- Edward Schreiber, Producer SOUND My Fair Lady -- Warner Bros. Studio Sound Department, George R. Groves, Sound Director SOUND EFFECTS Goldfinger -- Norman Wanstall SPECIAL VISUAL EFFECTS Mary Poppins -- Peter Ellenshaw, Eustace Lycett, Hamilton Luske WRITING (Screenplay--based on material from another medium) Becket -- Edward Anhalt WRITING (Story and Screenplay--written directly for the screen) Father Goose -- Story by S. H. Barnett; Screenplay by Peter Stone, Frank Tarloff HONORARY AWARD To William Tuttle for his outstanding make-up achievement for 7 Faces of Dr. Lao. SCIENTIFIC OR TECHNICAL AWARD (Class I) To PETRO VLAHOS, WADSWORTH E. POHL and UB IWERKS for the conception and perfection of techniques for Color Traveling Matte Composite Cinematography. [Special Photographic] SCIENTIFIC OR TECHNICAL AWARD (Class II) To SIDNEY P. SOLOW, EDWARD H. REICHARD, CARL W. HAUGE and JOB SANDERSON of Consolidated Film Industries for the design and development of a versatile Automatic 35mm Composite Color Printer. [Laboratory] To PIERRE ANGENIEUX for the development of a ten-to-one Zoom Lens for cinematography. [Lenses and Filters] SCIENTIFIC OR TECHNICAL AWARD (Class III) To MILTON FORMAN, RICHARD B. GLICKMAN and DANIEL J. PEARLMAN of ColorTran Industries for advancements in the design and application to motion picture photography of lighting units using quartz iodine lamps. [Lighting] To STEWART FILMSCREEN CORPORATION for a seamless translucent Blue Screen for Traveling Matte Color Cinematography. [Special Photographic] To ANTHONY PAGLIA and the 20TH CENTURY-FOX STUDIO MECHANICAL EFFECTS DEPARTMENT for an improved method of producing Explosion Flash Effects for motion pictures. [Stage Operations] To EDWARD H. REICHARD and CARL W. HAUGE of Consolidated Film Industries for the design of a Proximity Cue Detector and its application to motion picture printers. [Laboratory] To EDWARD H. REICHARD, LEONARD L. SOKOLOW and CARL W. HAUGE of Consolidated Film Industries for the design and application to motion picture laboratory practice of a Stroboscopic Scene Tester for color and black-and-white film. [Laboratory] To NELSON TYLER for the design and construction of an improved Helicopter Camera System. [Photography] ------------------------------------------------------------------------ 1965 (38th) ACTOR Lee Marvin -- Cat Ballou {"Kid Shelleen/Tim Strawn"} ACTOR IN A SUPPORTING ROLE Martin Balsam -- A Thousand Clowns {"Arnold Burns"} ACTRESS Julie Christie -- Darling {"Diana Scott"} ACTRESS IN A SUPPORTING ROLE Shelley Winters -- A Patch of Blue {"Rose-Ann D'Arcey"} ART DIRECTION (Black-and-White) Ship of Fools -- Art Direction: Robert Clatworthy; Set Decoration: Joseph Kish ART DIRECTION (Color) Doctor Zhivago -- Art Direction: John Box, Terry Marsh; Set Decoration: Dario Simoni CINEMATOGRAPHY (Black-and-White) Ship of Fools -- Ernest Laszlo CINEMATOGRAPHY (Color) Doctor Zhivago -- Freddie Young COSTUME DESIGN (Black-and-White) Darling -- Julie Harris COSTUME DESIGN (Color) Doctor Zhivago -- Phyllis Dalton DIRECTING The Sound of Music -- Robert Wise DOCUMENTARY (Feature) The Eleanor Roosevelt Story -- Sidney Glazier, Producer DOCUMENTARY (Short Subject) To Be Alive! -- Francis Thompson, Producer FILM EDITING The Sound of Music -- William Reynolds FOREIGN LANGUAGE FILM The Shop on Main Street -- Czechoslovakia MUSIC (Music Score--substantially original) Doctor Zhivago -- Maurice Jarre MUSIC (Scoring of Music--adaptation or treatment) The Sound of Music -- Irwin Kostal MUSIC (Song) "The Shadow Of Your Smile" from The Sandpiper -- Music by Johnny Mandel; Lyrics by Paul Francis Webster BEST PICTURE The Sound of Music -- Robert Wise, Producer SHORT SUBJECT (Cartoon) The Dot and the Line -- Chuck Jones and Les Goldman, Producers SHORT SUBJECT (Live Action) The Chicken (Le Poulet) -- Claude Berri, Producer SOUND The Sound of Music -- 20th Century-Fox Studio Sound Department, James P. Corcoran, Sound Director; and Todd-AO Sound Department, Fred Hynes, Sound Director SOUND EFFECTS The Great Race -- Tregoweth Brown SPECIAL VISUAL EFFECTS Thunderball -- John Stears WRITING (Screenplay--based on material from another medium) Doctor Zhivago -- Robert Bolt WRITING (Story and Screenplay--written directly for the screen) Darling -- Frederic Raphael JEAN HERSHOLT HUMANITARIAN AWARD Edmond L. DePatie HONORARY AWARD To Bob Hope for unique and distinguished service to our industry and the Academy. IRVING G. THALBERG MEMORIAL AWARD William Wyler SCIENTIFIC OR TECHNICAL AWARD (Class II) To ARTHUR J. HATCH of the Strong Electric Corporation subsidiary of General Precision Equipment Corporation, for the design and development of an Air Blown Carbon Arc Projection Lamp. [Lighting] To STEFAN KUDELSKI for the design and development of the Nagra portable 1/4 inch tape recording system for motion picture sound recording. [Sound] ------------------------------------------------------------------------ 1966 (39th) ACTOR Paul Scofield -- A Man for All Seasons {"Sir Thomas More"} ACTOR IN A SUPPORTING ROLE Walter Matthau -- The Fortune Cookie {"Willie Gingrich"} ACTRESS Elizabeth Taylor -- Who's Afraid of Virginia Woolf? {"Martha"} ACTRESS IN A SUPPORTING ROLE Sandy Dennis -- Who's Afraid of Virginia Woolf? {"Honey"} ART DIRECTION (Black-and-White) Who's Afraid of Virginia Woolf? -- Art Direction: Richard Sylbert; Set Decoration: George James Hopkins ART DIRECTION (Color) Fantastic Voyage -- Art Direction: Jack Martin Smith, Dale Hennesy; Set Decoration: Walter M. Scott, Stuart A. Reiss CINEMATOGRAPHY (Black-and-White) Who's Afraid of Virginia Woolf? -- Haskell Wexler CINEMATOGRAPHY (Color) A Man for All Seasons -- Ted Moore COSTUME DESIGN (Black-and-White) Who's Afraid of Virginia Woolf? -- Irene Sharaff COSTUME DESIGN (Color) A Man for All Seasons -- Elizabeth Haffenden, Joan Bridge DIRECTING A Man for All Seasons -- Fred Zinnemann DOCUMENTARY (Feature) The War Game -- Peter Watkins, Producer DOCUMENTARY (Short Subject) A Year toward Tomorrow -- Edmond A. Levy, Producer FILM EDITING Grand Prix -- Fredric Steinkamp, Henry Berman, Stewart Linder, Frank Santillo FOREIGN LANGUAGE FILM A Man and a Woman -- France MUSIC (Original Music Score) Born Free -- John Barry MUSIC (Scoring of Music--adaptation or treatment) A Funny Thing Happened on the Way to the Forum -- Ken Thorne MUSIC (Song) "Born Free" from Born Free -- Music by John Barry; Lyrics by Don Black BEST PICTURE A Man for All Seasons -- Fred Zinnemann, Producer SUBJECT (Cartoon) Herb Alpert and the Tijuana Brass Double Feature -- John Hubley and Faith Hubley, Producers SHORT SUBJECT (Live Action) Wild Wings -- Edgar Anstey, Producer SOUND Grand Prix -- Metro-Goldwyn-Mayer Studio Sound Department, Franklin E. Milton, Sound Director SOUND EFFECTS Grand Prix -- Gordon Daniel SPECIAL VISUAL EFFECTS Fantastic Voyage -- Art Cruickshank WRITING (Screenplay--based on material from another medium) A Man for All Seasons -- Robert Bolt WRITING (Story and Screenplay--written directly for the screen) A Man and a Woman -- Story by Claude Lelouch; Screenplay by Claude Lelouch, Pierre Uytterhoeven JEAN HERSHOLT HUMANITARIAN AWARD George Bagnall HONORARY AWARD To Y. Frank Freeman for unusual and outstanding service to the Academy during his thirty years in Hollywood. To Yakima Canutt for achievements as a stunt man and for developing safety devices to protect stunt men everywhere. IRVING G. THALBERG MEMORIAL AWARD Robert Wise SCIENTIFIC OR TECHNICAL AWARD (Class II) To MITCHELL CAMERA CORPORATION for the design and development of the Mitchell Mark II 35mm Portable Motion Picture Reflex Camera. [Camera] To ARNOLD & RICHTER KG for the design and development of the Arriflex 35mm Portable Motion Picture Reflex Camera. [Camera] SCIENTIFIC OR TECHNICAL AWARD (Class III) To PANAVISION, INCORPORATED, for the design of the Panatron Power Inverter and its application to motion picture camera operation. [Stage Operations] To CARROLL KNUDSON for the production of a Composer's Manual for Motion Picture Music Synchronization. [Editorial] To RUBY RAKSIN for the production of a Composer's Manual for Motion Picture Music Synchronization. [Editorial] ------------------------------------------------------------------------ 1967 (40th) ACTOR Rod Steiger -- In the Heat of the Night {"Police Chief Bill Gillespie"} ACTOR IN A SUPPORTING ROLE George Kennedy -- Cool Hand Luke {"Dragline"} ACTRESS Katharine Hepburn -- Guess Who's Coming to Dinner {"Christina Drayton"} ACTRESS IN A SUPPORTING ROLE Estelle Parsons -- Bonnie and Clyde {"Blanche Barrow"} ART DIRECTION Camelot -- Art Direction: John Truscott, Edward Carrere; Set Decoration: John W. Brown CINEMATOGRAPHY Bonnie and Clyde -- Burnett Guffey COSTUME DESIGN Camelot -- John Truscott DIRECTING The Graduate -- Mike Nichols DOCUMENTARY (Feature) The Anderson Platoon -- Pierre Schoendoerffer, Producer DOCUMENTARY (Short Subject) The Redwoods -- Mark Harris and Trevor Greenwood, Producers FILM EDITING In the Heat of the Night -- Hal Ashby FOREIGN LANGUAGE FILM Closely Watched Trains -- Czechoslovakia MUSIC (Original Music Score) Thoroughly Modern Millie -- Elmer Bernstein MUSIC (Scoring of Music--adaptation or treatment) Camelot -- Alfred Newman, Ken Darby MUSIC (Song) "Talk To The Animals" from Doctor Dolittle -- Music and Lyrics by Leslie Bricusse BEST PICTURE In the Heat of the Night -- Walter Mirisch, Producer SHORT SUBJECT (Cartoon) The Box -- Fred Wolf, Producer SHORT SUBJECT (Live Action) A Place to Stand -- Christopher Chapman, Producer SOUND In the Heat of the Night -- Samuel Goldwyn Studio Sound Department SOUND EFFECTS The Dirty Dozen -- John Poyner SPECIAL VISUAL EFFECTS Doctor Dolittle -- L. B. Abbott WRITING (Screenplay--based on material from another medium) In the Heat of the Night -- Stirling Silliphant WRITING (Story and Screenplay--written directly for the screen) Guess Who's Coming to Dinner -- William Rose JEAN HERSHOLT HUMANITARIAN AWARD Gregory Peck HONORARY AWARD To Arthur Freed for distinguished service to the Academy and the production of six top-rated Awards telecasts. IRVING G. THALBERG MEMORIAL AWARD Alfred Hitchcock SCIENTIFIC OR TECHNICAL AWARD (Class III) To the ELECTRO-OPTICAL DIVISION OF THE KOLLMORGEN CORPORATION for the design and development of a series of Motion Picture Projection Lenses. [Lenses and Filters] To PANAVISION, INCORPORATED, for a Variable Speed Motor for Motion Picture Cameras. [Camera] To FRED R. WILSON of the Samuel Goldwyn Studio Sound Department for an Audio Level Clamper. [Sound] To WALDON O. WATSON and the UNIVERSAL CITY STUDIO SOUND DEPARTMENT for new concepts in the design of a Music Scoring Stage. [Sound] ------------------------------------------------------------------------ 1968 (41st) ACTOR Cliff Robertson -- Charly {"Charly Gordon"} ACTOR IN A SUPPORTING ROLE Jack Albertson -- The Subject Was Roses {"John Cleary"} ACTRESS Katharine Hepburn -- The Lion in Winter {"Queen Eleanor of Aquitaine"} [NOTE: A tie. The other winner in this category was Barbra Streisand (Funny Girl).] Barbra Streisand -- Funny Girl {"Fanny Brice"} [NOTE: A tie. The other winner in this category was Katharine Hepburn (The Lion in Winter).] ACTRESS IN A SUPPORTING ROLE Ruth Gordon -- Rosemary's Baby {"Minnie Castevet"} ART DIRECTION Oliver! -- Art Direction: John Box, Terence Marsh; Set Decoration: Vernon Dixon, Ken Muggleston CINEMATOGRAPHY Romeo and Juliet -- Pasqualino De Santis COSTUME DESIGN Romeo and Juliet -- Danilo Donati DIRECTING Oliver! -- Carol Reed DOCUMENTARY (Feature) Journey into Self -- Bill McGaw, Producer [NOTE: At the 41st Awards ceremony on April 14, 1969, Young Americans was announced as the winner of the Documentary Feature Oscar. On May 7, 1969, the film was declared ineligible after it was revealed that the film had played in October of 1967, therefore ineligible for a 1968 Award. The first runner-up, Journey into Self, was awarded the statuette on May 8, 1969.] DOCUMENTARY (Short Subject) Why Man Creates -- Saul Bass, Producer FILM EDITING Bullitt -- Frank P. Keller FOREIGN LANGUAGE FILM War and Peace -- Union of Soviet Socialist Republics MUSIC (Original Score--for a motion picture [not a musical]) The Lion in Winter -- John Barry MUSIC (Score of a Musical Picture--original or adaptation) Oliver! -- Adaptation score by John Green MUSIC (Song--Original for the Picture) "The Windmills Of Your Mind" from The Thomas Crown Affair -- Music by Michel Legrand; Lyrics by Alan Bergman and Marilyn Bergman BEST PICTURE Oliver! -- John Woolf, Producer SHORT SUBJECT (Cartoon) Winnie the Pooh and the Blustery Day -- Walt Disney, Producer SHORT SUBJECT (Live Action) Robert Kennedy Remembered -- Charles Guggenheim, Producer SOUND Oliver! -- Shepperton Studio Sound Department SPECIAL VISUAL EFFECTS 2001: A Space Odyssey -- Stanley Kubrick WRITING (Screenplay--based on material from another medium) The Lion in Winter -- James Goldman WRITING (Story and Screenplay--written directly for the screen) The Producers -- Mel Brooks JEAN HERSHOLT HUMANITARIAN AWARD Martha Raye HONORARY AWARD To John Chambers for his outstanding makeup achievement for Planet of the Apes. To Onna White for her outstanding choreography achievement for Oliver! SCIENTIFIC OR TECHNICAL AWARD (Class I) To PHILIP V. PALMQUIST of Minnesota Mining and Manufacturing Co., to DR. HERBERT MEYER of the Motion Picture and Television Research Center, and to CHARLES D. STAFFELL of the Rank Organization for the development of a successful embodiment of the reflex background projection system for composite cinematography. [Special Photographic] To EASTMAN KODAK COMPANY for the development and introduction of a color reversal intermediate film for motion pictures. [Film] SCIENTIFIC OR TECHNICAL AWARD (Class II) To DONALD W. NORWOOD for the design and development of the Norwood Photographic Exposure Meters. [Photography] To EASTMAN KODAK COMPANY and PRODUCERS SERVICE COMPANY for the development of a new high-speed step-optical reduction printer. [Laboratory] To EDMUND M. DI GIULIO, NIELS G. PETERSEN and NORMAN S. HUGHES of the Cinema Product Development Company for the design and application of a conversion which makes available the reflex viewing system for motion picture cameras. [Camera] To OPTICAL COATING LABORATORIES, INC. for the development of an improved anti-reflection coating for photographic and projection lens systems. [Lenses and Filters] To EASTMAN KODAK COMPANY for the introduction of a new high speed motion picture color negative film. [Film] To PANAVISION, INCORPORATED, for the conception, design and introduction of a 65mm hand-held motion picture camera. [Camera] To TODD-AO and MITCHELL CAMERA COMPANY for the design and engineering of the Todd-AO hand-held motion picture camera. [Camera] SCIENTIFIC OR TECHNICAL AWARD (Class III) To CARL W. HAUGE and EDWARD H. REICHARD of Consolidated Film Industries and E. MICHAEL MEAHL and ROY J. RIDENOUR of Ramtronics for engineering an automatic exposure control for printing-machine lamps. [Laboratory] To EASTMAN KODAK COMPANY for a new direct positive film and to CONSOLIDATED FILM INDUSTRIES for the application of this film to the making of post-production work prints. [Film] ------------------------------------------------------------------------ 1969 (42nd) ACTOR John Wayne -- True Grit {"Rooster Cogburn"} ACTOR IN A SUPPORTING ROLE Gig Young -- They Shoot Horses, Don't They? {"Rocky"} ACTRESS Maggie Smith -- The Prime of Miss Jean Brodie {"Miss Jean Brodie"} ACTRESS IN A SUPPORTING ROLE Goldie Hawn -- Cactus Flower {"Toni Simmons"} ART DIRECTION Hello, Dolly! -- Art Direction: John DeCuir, Jack Martin Smith, Herman Blumenthal; Set Decoration: Walter M. Scott, George Hopkins, Raphael Bretton CINEMATOGRAPHY Butch Cassidy and the Sundance Kid -- Conrad Hall COSTUME DESIGN Anne of the Thousand Days -- Margaret Furse DIRECTING Midnight Cowboy -- John Schlesinger DOCUMENTARY (Feature) Arthur Rubinstein - The Love of Life -- Bernard Chevry, Producer DOCUMENTARY (Short Subject) Czechoslovakia 1968 -- Denis Sanders and Robert M. Fresco, Producers FILM EDITING Z -- Françoise Bonnot FOREIGN LANGUAGE FILM Z -- Algeria MUSIC (Original Score--for a motion picture [not a musical]) Butch Cassidy and the Sundance Kid -- Burt Bacharach MUSIC (Score of a Musical Picture--original or adaptation) Hello, Dolly! -- Adaptation score by Lennie Hayton and Lionel Newman MUSIC (Song--Original for the Picture) "Raindrops Keep Fallin' On My Head" from Butch Cassidy and the Sundance Kid -- Music by Burt Bacharach; Lyrics by Hal David BEST PICTURE Midnight Cowboy -- Jerome Hellman, Producer SHORT SUBJECT (Cartoon) It's Tough to Be a Bird -- Ward Kimball, Producer SHORT SUBJECT (Live Action) The Magic Machines -- Joan Keller Stern, Producer SOUND Hello, Dolly! -- Jack Solomon, Murray Spivack SPECIAL VISUAL EFFECTS Marooned -- Robbie Robertson WRITING (Screenplay--based on material from another medium) Midnight Cowboy -- Waldo Salt WRITING (Story and Screenplay--based on material not previously published or produced) Butch Cassidy and the Sundance Kid -- William Goldman JEAN HERSHOLT HUMANITARIAN AWARD George Jessel HONORARY AWARD To Cary Grant for his unique mastery of the art of screen acting with the respect and affection of his colleagues. SCIENTIFIC OR TECHNICAL AWARD (Class II) To HAZELTINE CORPORATION for the design and development of the Hazeltine Color Film Analyzer. [Laboratory] To FOUAD SAID for the design and introduction of the Cinemobile series of equipment trucks for location motion picture production. [Stage Operations] To JUAN DE LA CIERVA and DYNASCIENCES CORPORATION for the design and development of the Dynalens optical image motion compensator. [Photography] SCIENTIFIC OR TECHNICAL AWARD (Class III) To OTTO POPELKA of Magna-Tech Electronics Company, Inc., for the development of an Electronically Controlled Looping System. [Sound] To FENTON HAMILTON of Metro-Goldwyn-Mayer Studios for the concept and engineering of a mobile battery power unit for location lighting. [Lighting] To PANAVISION, INCORPORATED, for the design and development of the Panaspeed Motion Picture Camera Motor. [Camera] To ROBERT M. FLYNN and RUSSELL HESSEY of Universal City Studios, Inc. for a machine-gun modification for motion picture photography. [Stage Operations]